WALL 5 | DANCE ADJUDICATOR TANYA STRANDLUND
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Dancing in the Wings

Listen to your Body's 'Whispers'

1/28/2024

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Avoiding Serious Injury in Dance
Listen to your body, make appropriate adjustments, and communicate with your teachers.
This time of the dance season, if dancers aren’t careful, can lead to preventable injuries. The good news is that most injuries are avoidable with the right approach.
As with any physical activity, there are ways to reduce the risk of injury and maximize your chances of an injury-free season. The dance season is structured to promote gradual growth and peak physical fitness. However, issues often arise after summer break or the "two-week" break in December/January. While these breaks are necessary for both mental and physical recovery, many dancers take this time to completely rest, resulting in a loss of muscle tone and strength. The problem occurs when dancers return to full-intensity training too quickly after this break, pushing their bodies beyond their limits without listening to the early warning signs.
The Best Approach: Active Rest
During breaks, engage in “active rest” activities. Go for walks, practice barre work, do PBT or PCT exercises, or perform light conditioning. These activities help keep your muscles engaged and active while still allowing for recovery. Teachers typically ease into more intense training in January, but it’s important to be mindful of how your body feels and communicate accordingly.
Key Tips to Avoid Injury:
  1. Warm Up Properly
    Especially if you’ve been sitting for a while between classes, take time to properly warm up before each session. Spend a few minutes doing the stretches and warm-ups you’ve learned from your teachers.

  2. Review Movements
    If you're unsure of a movement, ask your teacher to review it with you. Practicing the correct movement patterns will help solidify proper technique and reduce injury risk.

  3. Prioritize Technique
    Don’t ignore your technique. This is especially important in ballet, where movement patterns are painstakingly trained. Proper use of feet, plié, turnout, core strength, and body alignment are critical to injury prevention. Be mindful of engaging the right muscles and maintaining good posture throughout all movements.

  4. Ask Questions
    If you feel uncertain about executing a new or familiar movement, ask your teacher for clarification. Being proactive about your understanding will help prevent missteps that can lead to injury.

  5. Distinguish Between Normal Fatigue and Pain
    Learn to recognize the difference between normal muscle fatigue and potential injury. For example, muscle soreness after a tough class, such as aching quads after many developpés, is typically a sign of muscle repair. If the soreness persists, ensure proper hydration, nutrition, and rest. Consider BCAAs to help minimize muscle fatigue and speed up recovery.

    Concerning Pain: If you feel sharp joint pain, or experience burning sensations in your limbs, these are signs that need immediate attention. For example, if your ankle hurts every time you jump, it's important to communicate this with your teacher and take appropriate action.
What to Do If You Suspect Injury:
Listen to your body when it signals pain. If you experience joint pain, sharp pain, or any burning sensation, stop and consult your teacher immediately. Share the details of your pain and make a plan to address it. It’s important to see a doctor to rule out serious injury.
Teachers are trained to modify movements or recommend rest to prevent further injury. Remember, silence is not martyrdom—pushing through pain can often lead to worse injuries that could take you out for a longer period, or even permanently. Taking a day or two off to recover is far better than pushing through and potentially missing weeks or the entire season.
Early action is key: address the pain early, seek guidance, and avoid dancing through the discomfort to prevent more severe injuries later on.
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    Author

    Tanya Strandlund
    is a dance educator whose primary focus is providing technically sound, artistically rich and safe dance education for todays youth.

    Licentiate CC-CICB, L.I.S.T.D. Imperial Society of Teachers of Dancing Theatre Faculty. ADA International Dance Adjudicator, PBT International Qualified instructor, PCT international teacher, IADA International Dance Adjudicator, ADA Dance Adjudicator, A.C.D.T.A Ballet Division, AAI/ABHS 

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  • Wall 5
  • Adjudicator| Educator| Mentor
  • Tanya's Bio
  • Adjudicating Experience
  • Contact